Papay-Shooter

Author	SHA1	Message	Date
Nicholas ButzkeandClaude Fable 5	67040ba12d	feat: detailed building models across the city (Kenney City Kit, CC0) Boxes with lines can't reach the requested fidelity — the city now uses real modeled architecture, toonified into the cel style: - Kenney City Kit Commercial (CC0, 41 GLBs) installed at assets/props/citykit: 13 mid-rise buildings + 5 glass skyscrapers with actual modeled window insets, doors, storefronts, awnings, trim and rooftop detail, plus parasol/awning props - Standard + market blocks: street edges fill with seeded kit buildings (measured catalog drives placement, x13 scale -> 11-32m facades) over box colliders; Akiba signage layer (corner sign columns, glowing segments, roof billboards) attaches aligned to each model's bounds - Tower blocks: kit skyscrapers (up to ~70m curtain-wall glass) on the walkable podium, seeded rotation, crown billboards kept - Market blocks add cafe parasols among the stalls - SSAO enabled + exposure recalibrated for the kit's bright albedo (sun 2.2 / ambient 1.7); lighter asphalt/paving to match; lighter haze All kit meshes run through apply_toon_recursive: toon banding over the kit textures, matching characters/weapons/VFX. Verified: street + aerial captures (detailed facades at eye level, dense believable skyline); movement 11/11, smoke 0, acoustics ALL PASSED. Co-Authored-By: Claude Fable 5 <[email protected]>	2026-07-18 14:59:52 -04:00
Nicholas ButzkeandClaude Fable 5	b0af2ea9ee	feat: Akiba Crossing city — 100 blocks with unique landmarks + detail pass Scaled the single block to a full 10x10 city grid (48m cells, 16m streets, 640m across) with a hand-authored layout so the fabric stays varied: Block types: - S standard retail (70%): paired parametric buildings facing the N-S streets, seeded heights/colors per block; ~half get a mid-block alley with fire-escape climbs so no two blocks play identically - T landmark towers: 8-10 floors on a walkable retail podium, mega corner sign, double-sided rooftop crown billboard (skyline wayfinding) - J shrine courtyards: walled court, torii, slide-roof hall, lanterns, trees — the green quiet break in the fabric - M market streets: dense stall rows + lantern strings between low buildings (close-quarters cover mazes) - P plaza cluster at the city centre with planter cover and a giant 4-face screen tower at the exact middle (the Crossing) - C construction sites: open slab frame to wallrun, access ramp, container stacks, and a 28m crane whose jib is the city's tallest grapple anchor City systems: - Brick rail viaduct runs the full east-west width on per-block piers with vending arcades under alternating arches + slide ramps at the centre - Central avenues x=0/z=0 get matched streetlights and zebra crossings at every block line; brick wall rings the district; city-haze fog for depth - Detail pass per building: window bands every floor, water tanks/antenna masts seeded on roofs, denser sign stacking Perf/physics: decoration (signs, windows, leaves, lamp heads) is render-only MeshInstances; only gameplay surfaces are static bodies, all acoustics-tagged. Spawns distributed across block types facing centre. Verified: full-city aerial (all 100 blocks, aligned grid), avenue-level capture (clean canyon, viaduct vista); movement 11/11, smoke 0 failures, acoustics ALL PASSED. Co-Authored-By: Claude Fable 5 <[email protected]>	2026-07-18 14:45:48 -04:00
Nicholas ButzkeandClaude Fable 5	a7fa7f207c	feat: Akiba Crossing — parametric Akihabara rebuild of the urban map Complete new approach after the hand-placed layout shipped misaligned: every element now derives from a street grid and its building's footprint, so alignment is structural, not luck. District structure (modeled on Akihabara's Chuo-dori / Denki-gai / JR viaduct): - 16m avenue flanked by continuous mid-rise rows; buildings defined ONLY by z-interval + floor count (4m quantized floors), packed edge-to-edge - _building() derives everything from the footprint: parapet lips on the roof rim, inset glass storefront, sidewalk canopy, stacked per-floor sign bands, a solid vertical corner sign column with glowing segments, evenly spaced roof AC units, rooftop billboard on 4+ floor buildings - Brick rail viaduct crosses the whole block on piers with an under-track vending arcade; sidewalk-aligned slide ramps with handrails reach the deck on both flanks - Denki-gai alley cut through both rows (wallrun walls + fire escape platforms climbing per floor); red SEGA-style landmark + blue electronics building anchor the north corners - Matched streetlight pairs every 16m with arms over the road; zebra crossings at the alley mouth and south block; spawns on sidewalks/deck facing the map center Movement: viaduct high lane + roof-hop onto the 2-floor row, canopy lane above each sidewalk, alley wallruns + fire escapes, grapple anchors on lamp arms / sign columns / viaduct edge / billboards, slide ramps. Acoustics: facades concrete, storefronts glass, canopies wood, viaduct brick, signs/AC/vending/lights/escapes metal. Renamed in the level selector: "Akiba Crossing". Verified via aerial and street captures (aligned rows, clean canyon, viaduct framing); movement 11/11, smoke 0 failures, acoustics ALL PASSED. Co-Authored-By: Claude Fable 5 <[email protected]>	2026-07-18 14:34:31 -04:00
Nicholas ButzkeandClaude Fable 5	233f88aee3	feat: full cel treatment for Neon Alley — flat toon colors + ink outlines - LevelMaterials.flat(): toon-banded FLAT color material (no greybox grid texture) for dressed maps; cached per tint, rim/spec off - Neon Alley overrides _box_static: every structure renders flat cel color; prop-scale pieces (<10m) get an inverted-hull ink outline scaled to their size. Building-scale boxes skip the hull — the inflated plates smear into black voids at close range (found via fixed street-camera capture) - Pylon wires render as flat ink lines; warmer wood + hotter vermilion for flat shading (the grid multiply used to brighten tints) - visual_capture: deterministic street-level shot after the aerial for style comparisons Street capture now reads properly BoomerangX: flat lavender asphalt, hard light bands, torii framed down the underpass, neon strips + sign glow. Co-Authored-By: Claude Fable 5 <[email protected]>	2026-07-18 14:23:37 -04:00
Nicholas ButzkeandClaude Fable 5	0813d0b40d	feat: Neon Alley — urban-Japan movement map built on the acoustic materials New map (scenes/maps/neon_alley/, auto-appears in the level selectors): Layout for movement flow: - Main N-S street = the long sightline, crossed by a pedestrian bridge (slide ramps up both ends, underpass cover below, railed high ground) - West machiya row: wooden two-story houses with a jump route (awning -> balcony -> roof deck) and 25-degree slide roofs facing the street - East concrete towers with glass storefronts; brick wallrun alley between them (AC units to vault); metal fire-escape platform route to the roofs; angled rooftop billboard as cover + grapple anchor - Three power pylons with crossarms over the street chain a grapple route; the torii gate crossbeam at the north shrine plaza is a fourth anchor - South market: wooden stalls with neon canopies + metal vending machines = scattered mid cover; shipping container corner piece - Spawns ring the block and face the map center Acoustics as level design: every surface is tagged (machiya/stalls/torii wood, towers concrete, storefronts glass, alley+perimeter brick, escapes/ AC/rails/container metal) so occlusion tells you which structure a shot came through and reflections differ per street. Style: sunset sky + fixed dusk-lavender ambient (calibrated for the toon shader's 1/PI light response), warm low sun, neon sign columns, shop signs, lantern strings, billboard glow, underpass strip lights. Verified: aerial + street-level + third-person captures; movement 11/11, smoke 0 failures, acoustics ALL PASSED. Co-Authored-By: Claude Fable 5 <[email protected]>	2026-07-18 14:18:06 -04:00
Nicholas ButzkeandClaude Fable 5	a51595e3b9	feat: material-aware sound occlusion + early reflections for localization New Acoustics system (globals/acoustics.gd): - Occlusion: rays from listener to source collect up to 3 occluding bodies; each surface's material adds transmission loss and lowers the lowpass cutoff. A gunshot through wood stays warm (-8dB, 1.4kHz), brick muffles hard (-15dB, 600Hz), concrete harder (-18dB, 450Hz), metal keeps more highs (-11dB, 1kHz), glass barely muffles (-5dB, 2.6kHz). Applied via each AudioStreamPlayer3D's attenuation filter. - Early reflections: loud sounds (gunfire, explosions) probe 8 directions for nearby walls; each close surface plays a quiet, delayed (path/343ms), material-filtered copy from the mirror point — shots audibly slap back off structures so players can triangulate. Sub-30ms echoes are skipped (they perceptually merge with the direct sound). - Surface classification: builder-set acoustic_material meta -> node-name keywords -> metallic-material inference -> concrete default; cached. Integration: - AudioManager.play_3d applies occlusion at fire time and re-filters all playing positional sounds every 0.12s (walking behind a wall mid-sound audibly muffles it); flight loops opt in via "acoustic_occluded" group - Remote players' gunshots were entirely SILENT — rpc_play_fire_effects now plays the right weapon's shot at the shooter's position, occluded and reflected like everything else - Remote players' footsteps were also silent — now positional + occluded, cadence scaled to their speed - Test level tagged: brick arena walls, wooden platforms/obstacles, metal wall-run corridor/rails/dash platforms; dust2 sandstone reads as brick Tests: debug/acoustics_test.gd (12 checks: per-material loss ordering, multi-wall stacking, reflection delay/filter, name classification) — all pass; movement 11/11; smoke 0 failures. Co-Authored-By: Claude Fable 5 <[email protected]>	2026-07-17 23:48:38 -04:00
Nicholas ButzkeandClaude Fable 5	44460b52ae	fix: exactly one bang per bullet — cut bursts and range echoes from gun audio The library's master sheet revealed the primary AK-47 sample (C_27P) was a full-auto LONG BURST, and two other slots used burst takes (C_34P, P_22P) — one trigger pull audibly played several rounds. Beyond that, the single-shot recordings carry outdoor-range slap-back echoes arriving as discrete pops at ~0.23s/0.33s/0.45s, which also read as extra shots. - All fire sounds rebuilt from sheet-verified SINGLE-shot takes only (AK-47 gets C_28/C_31 + same-caliber SKS as third variation; MP7 gets single PPSh takes + Walther PPQ 9mm) - Every sample now ends before the first echo can play: full level through the crack (~0.145s), faded out by 0.21s (times scale with pitch rate) - Verified with silencedetect: every fire WAV is a single transient with no mid-file re-attacks Co-Authored-By: Claude Fable 5 <[email protected]>	2026-07-17 23:36:30 -04:00
Nicholas ButzkeandClaude Fable 5	0155bcdf04	fix: tighten gun audio timing and replace off-character sounds - Gunshots: strip lead-in silence from every firearm recording (the audible delay between trigger and bang) and hard-trim to a single 0.7s crack with a fast fade — the outdoor-range echo read as 2-3 extra shots. Big single shots (AWP/shotgun/rocket/mortar) keep a 1s tail but still one boom. - Hit confirm: short fleshy punch thock instead of the bell ("taco bell") - Dash: clean synthesized air whoosh (bandpassed pink noise swell) instead of thruster fire crackle; grapple shoot inherits it - Jump: push-off foot scuff + faint whoosh instead of the balloon boing - Wind speed-loop: deep lowpass so it reads as rushing air, not fire - Grenade: silent in flight — the rocket-engine loop made it sound like it was burning; bounces still audible Verified: reimport + smoke test 0 failures, 11/11 movement tests. Co-Authored-By: Claude Fable 5 <[email protected]>	2026-07-17 23:29:34 -04:00
Nicholas ButzkeandClaude Fable 5	a9b0775de3	feat: real gunshots, localized 3D audio, seamless music, better animations Audio: - All ballistic weapons now fire real firearm recordings (The Free Firearm Sound Library, CC0): AK-47 uses actual AK-47 shots, M4=AR-15, MP7=PPSh, AWP=Mosin Nagant, DMR=Savage 10, shotgun=Mossberg/Nova, nailgun=Ruger .22, rocket/mortar layered with real booms. Plasma keeps its energy sound. - Reload is real lever-action foley instead of interface clicks - Projectile flight loops localized: unit_size 50->6, max_db 6->0, max_distance 45 — no more mortar/rocket drone in every player's ear; loops also got proper loop_end (was a zero-length loop) - Flight loops lowpassed into soft whooshes instead of sci-fi engine drones - Menu music converted to OGG with native full-track looping (47s seamless, replaces the broken manual WAV loop points) Animations (movement-shooter pass): - Rebaked miku.glb with 4 new clips from the CC0 library: Grapple (swim reach — reads as a swing), PistolIdle (armed idle with weapon up), PistolShoot, PistolReload - Armed idle: standing with a weapon now uses PistolIdle instead of arms-at-sides - Slide pose overhaul: legs kick out front (lead/trail thighs, knees straighten) — feet-first slide instead of "sitting in a crouch" - Wall run: forward drive pitch + inner arm reaches out to the wall - Per-transition blend times: dash/hit/jump cut fast (0.05-0.08s), locomotion cross-fades smoothly (0.2-0.25s); CrouchWalk speed-scales Fixes: - Third-person camera no longer renders the first-person viewmodel layer (the gun/arms floated in front of the third-person view) Verified: 11/11 movement tests, smoke test 0 failures (17 clips resolved), third-person run screenshot shows grounded animated model, no floating gun. Co-Authored-By: Claude Fable 5 <[email protected]>	2026-07-17 21:49:10 -04:00
Nicholas ButzkeandClaude Fable 5	6c8b0ddd28	feat: cel-shaded look & feel overhaul — real audio, comic UI, themed VFX Audio (all CC0 — Kenney packs + OpenGameArt, see assets/sounds/SOURCES.md): - Replace every procedural synth WAV with forged sounds (ffmpeg pitch/layer mixes): distinct fire sounds per weapon with 2-3 variations, explosions, footsteps x5, land/jump/dash/vault, knife swing, hit/kill confirms, bullet impacts, reload, flight loops, UI hover/click/confirm/error, match jingles, menu music - AudioManager.stream_for(): AudioStreamRandomizer per sound id — every weapon now gets variation + pitch randomization on each shot - Explosions and bullet impacts play positional audio; landing has its own sound instead of a pitched footstep; ambient wind bed on every map Visuals: - ExplosionVFX: shared cel-shaded burst (white-hot stepped core, ink shockwave ring, star spikes, flat smoke puffs) replaces the orange sphere in both local and remote-replay paths - Comic star muzzle flashes on all weapons; unified cel tracer bolts with ink outlines across hitscan/shotgun/remote paths - Impact decals: hard-stepped ink-splat gradients instead of soft airbrush - Toon shading on first-person view models + arms, third-person weapons, and the procedural humanoid fallback (no hull outlines on FBX weapons — their hard normals tear the inverted hull) - Fix: giant soft "blob" highlight on floors — toon rim/specular disabled on level-geometry materials (pre-existing artifact since the cel commit) - Fix: own third-person weapon rendered into the first-person camera (shadows-only now covers first_person_mode) UI: - UITheme: comic theme on the root window — Bangers display font (OFL), paper panels with thick ink borders + hard drop shadows, papaya accent, themed buttons/inputs/popups; hover/click sounds on all menu buttons - Main menu: tilted comic wordmark, sunset toon diorama, looping menu music - Match HUD: themed scoreboard/killfeed/kill counter Viewports: - 4x MSAA project-wide + viewmodel/diorama viewports (crisp ink lines) - Viewmodel camera near plane 0.01; third-person camera FOV syncs settings - debug/visual_capture.gd: dev tool to screenshot menu + level for review Verified: 11/11 movement tests, spawn smoke test 0 failures, before/after screenshot comparison of menu and level. Co-Authored-By: Claude Fable 5 <[email protected]>	2026-07-17 18:15:42 -04:00

153 changed files with 1778 additions and 266 deletions

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+	City Kit Commercial (2.1)
+	Created/distributed by Kenney (www.kenney.nl)
+	Creation date: 21-07-2025 18:16
+			------------------------------
+	License: (Creative Commons Zero, CC0)
+	http://creativecommons.org/publicdomain/zero/1.0/
+	You can use this content for personal, educational, and commercial purposes.
+	Support by crediting 'Kenney' or 'www.kenney.nl' (this is not a requirement)
+			------------------------------
+	• Website : www.kenney.nl
+	• Donate  : www.kenney.nl/donate
+	• Patreon : patreon.com/kenney
+	Follow on social media for updates:
+	• Twitter:	 twitter.com/KenneyNL
+	• BlueSky:	 kenney.bsky.social
+	• Instagram: instagram.com/kenney_nl

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					# Sound sources

					All current WAVs are forged (pitch/layer/trim via ffmpeg — see repo history)

					from these CC0 packs, no attribution required:

					- The Free Firearm Sound Library (Ben Jaszczak et al.) — CC0,

					  https://opengameart.org/content/the-free-firearm-sound-library

					  → all ballistic weapon fire sounds (AK-47/AR-15/PPSh/Mosin/Savage/

					  Mossberg/Nova/Ruger/Carl Gustav recordings) + reload (Model 1894 lever)

					- Kenney Impact Sounds — https://kenney.nl/assets/impact-sounds (CC0)

					- Kenney Sci-Fi Sounds — https://kenney.nl/assets/sci-fi-sounds (CC0)

					- Kenney Interface Sounds — https://kenney.nl/assets/interface-sounds (CC0)

					- Kenney Music Jingles — https://kenney.nl/assets/music-jingles (CC0)

					Exceptions (still procedural from `generate_sounds.py`): `wind.wav`,

					`wallrun.wav`, `slide.wav` — seamless noise loops that the Kenney one-shots

					can't replace.

					Menu music: `music_menu.wav` — "Menu Music" by mrpoly, CC0,

					https://opengameart.org/content/menu-music